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"Gabriel Garc�a M�rquez meets Umberto Eco meets Jorge Luis Borges for a sprawling magic show." --The New York Times Book Review
A New York Times Bestseller
Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Juli�n Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.
“ Anyone who enjoys novels that are scary, erotic, touching, tragic and thrilling should rush right out to the nearest bookstore and pick up The Shadow of the Wind. Really, you should.” --Michael Dirda, The Washington Post
"Wonderous... masterful... The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero." --Entertainment Weekly (Editor's Choice)
"One gorgeous read." --Stephen King
- Sales Rank: #2683 in Books
- Brand: Penguin Books
- Published on: 2005-02-01
- Released on: 2005-01-25
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x 1.10" w x 5.50" l,
- Binding: Paperback
- 487 pages
Features
From Publishers Weekly
Ruiz Zaf�n's novel, a bestseller in his native Spain, takes the satanic touches from Angel Heart and stirs them into a bookish intrigue � la Foucault's Pendulum. The time is the 1950s; the place, Barcelona. Daniel Sempere, the son of a widowed bookstore owner, is 10 when he discovers a novel, The Shadow of the Wind, by Juli�n Carax. The novel is rare, the author obscure, and rumors tell of a horribly disfigured man who has been burning every copy he can find of Carax's novels. The man calls himself La�n Coubert-the name of the devil in one of Carax's novels. As he grows up, Daniel's fascination with the mysterious Carax links him to a blind femme fatale with a "porcelain gaze," Clara Barcel�; another fan, a leftist jack-of-all-trades, Ferm�n Romero de Torres; his best friend's sister, the delectable Beatriz Aguilar; and, as he begins investigating the life and death of Carax, a cast of characters with secrets to hide. Officially, Carax's dead body was dumped in an alley in 1936. But discrepancies in this story surface. Meanwhile, Daniel and Ferm�n are being harried by a sadistic policeman, Carax's childhood friend. As Daniel's quest continues, frightening parallels between his own life and Carax's begin to emerge. Ruiz Zaf�n strives for a literary tone, and no scene goes by without its complement of florid, cute and inexact similes and metaphors (snow is "God's dandruff"; servants obey orders with "the efficiency and submissiveness of a body of well-trained insects"). Yet the colorful cast of characters, the gothic turns and the straining for effect only give the book the feel of para-literature or the Hollywood version of a great 19th-century novel.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Call it the "book book" genre: this international sensation (it has sold in more than 20 countries and been number one on the Spanish best-seller list), newly translated into English, has books and storytelling--and a single, physical book--at its heart. In post-World War II Barcelona, young Daniel is taken by his bookseller father to the Cemetery of Forgotten Books, a massive sanctuary where books are guarded from oblivion. Told to choose one book to protect, he selects The Shadow of the Wind, by Julian Carax. He reads it, loves it, and soon learns it is both very valuable and very much in danger because someone is determinedly burning every copy of every book written by the obscure Carax. To call this book--Zafon's Shadow of the Wind-- old-fashioned is to mean it in the best way. It's big, chock-full of unusual characters, and strong in its sense of place. Daniel's initiation into the mysteries of adulthood is given the same weight as the mystery of the book-burner. And the setting--Spain under Franco--injects an air of sobriety into some plot elements that might otherwise seem soap operatic. Part detective story, part boy's adventure, part romance, fantasy, and gothic horror, the intricate plot is urged on by extravagant foreshadowing and nail-nibbling tension. This is rich, lavish storytelling, very much in the tradition of Ross King's Ex Libris (2001). Keir Graff
Copyright � American Library Association. All rights reserved
Review
“ Anyone who enjoys novels that are scary, erotic, touching, tragic and thrilling should rush right out to the nearest bookstore and pick up The Shadow of the Wind. Really, you should.”
—Michael Dirda, The Washington Post
"Gabriel Garcia Marquez meets Umberto Eco meets Jorge Luis Borges for a sprawling magic show."�--The New�York Times�Book�Review
"Wonderous... masterful... The�Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero."�--Entertainment Weekly (Editor's Choice)
"One gorgeous read."�--Stephen�King
Most helpful customer reviews
513 of 557 people found the following review helpful.
The Critic's Rave Reviews are all Correct
By Edward W. Jawer
The enthusiastic praise and adulation which critics have accorded the english publication of Carlo Ruiz Zafon's first novel, "The Shadow of the Wind", may trouble the reader who begins the book, worried that little might match his expectations. After all, reviewers who compare a writer's work to a combination of Umberto Eco, or Jorge Luis Borges, or Gabriel Garcia Marquez, or other literary giants, compel the reader to expect to be transported when they open the book.
Not to worry.
Once started, the single downside for the reader will be knowing that the experience must end. The plot is quite complex, the jacket cover's synopsis will give the reader all he needs to know. The important thing is to read it slowly and carefully.
A mystery story, a fairy tale, a love story (actually several love stories), a passion for literature, a treatise on politics, a bawdy tale, with love, hate, courage, intrigue, loss of innocence, humor, cowardice, villainy, cruelty, compassion, regret, murder, incest, redemption, and more. Add to this delicious mixture characters who come alive, and whose thoughts and feelings you will feel deeply.
What a great pleasure to discover; an extraordinary first work, one which towers over the endless and repetative volumes which inhabit today's "Best Seller" lists. Read it, and become hypnotized.
Edward Jawer
Wyncote, Pa.
ejawer@comcast.net
187 of 209 people found the following review helpful.
As good as a Car�x novel
By A. L. Spieckerman
Zaf�n's storytelling skill is quite remarkable, his prose doesn't just take you into the story, it completely transports you. In only a few sentances. Zaf�n crafts a world of remarkable visions and events--just a little bit magical (as all the best stories really are) but grounded in characters who live, breathe, and merrily cavort off the page and into your heart.
But Zaf�n isn't just a strong storyteller with an exact sense of prose (and my compliments to the excellent translation!), Shadow of the Wind connects to people, it's almost a watershed. It's been a long time since I've been so excited about a book. I tell -everyone- to read it: best friends, my mom, relatives, people I work with--they're all hearing raves from me. And I don't do that lightly, but this book is joyous and sad, heartfelt and even wise.
But most important of all is that Shadow of the Wind is true. It's one of those rare books where you don't just hear 'their' story, it becomes your story as well. To loosely quote Car�x, "it holds up a mirror and a window to your soul," because it teaches us about who we are--about the communities that bind and define you.
And every single moment Ferm�n Romero de Torres was 'on screen' I had the biggest grins on my face, truly one of the great characters of literature.
I've not a single criticism or reservation about this book, and that puts Zaf�n on an extremely short list with Mark Twain, Frank Herbert and Orson Scott Card.
366 of 427 people found the following review helpful.
How You See It Depends on What You Bring to It
By Steve Koss
That it's so tempting to read SHADOW OF THE WIND is a tribute to clever marketing. Comparisons to Marquez, Borges, and Dickens mix with gushing tributes from Stephen King and references to best-sellerdom in Spain. The literary come-on is hard to resist.
In the end however, the way you respond to this book will depend on what expectations you bring to it. If you anticipate a reading experience worthy of those heady literary comparisons, you'll be sorely disappointed - Zafon is little closer to Garcia Marquez than Stephen King is. The closest he comes is having the temerity to give a minor character, a boyfriend of Beatriz Aguilar's, the family name Buendia, the prolific clan from ONE HUNDRED YEARS OF SOLITUDE. If you plan, however, on a fantastical romp through a mid-century Barcelona converted wholesale into a gothic swamp of ghosts, shadows, haunted houses, malevolent, revenge-seeking, jilted lovers, swooning virginal maidens, improbably picaresque characters, unbelievable coincidences, parallelisms, and twists of fate, and a host of pseudo-Freudian relationships, you'll love every minute.
The story line of SHADOW OF THE WIND is so complex and convoluted, it's nearly impossible to relate in less space than the book's own 487 pages. Suffice to say, the premise is drawn from the search of a teenaged boy named Daniel for the truth about the fate of Julian Carax, the author of a mystery story (also named "Shadow of the Wind") that Daniel has adopted and read after his bibliophilic father takes him on a "coming of age" excursion to the aptly metaphorical Cemetary of Forgotten Books. Carax has apparently written a number of other books, all of them commercial failures, yet someone has been traveling Europe to find and burn every extant copy of Carax's works.
With twists and turns that would make the Minotaur's head spin in his Labyrinth, Zafon spins multiple parallel tales of Platonic love, blind love (both literal and figurative), failed love, enduring love, filial love, forbidden love, and unrequited love. Through it all looms the mystery of Julian Carax. Is he alive or dead? Who is burning his books, and why? Who is the char-faced phantom? Why does the evil Fumero seek such hate-filled revenge? Will young Daniel ever find his true love?
Zafon's book could be easily parodied or brushed aside as little more than a Barbara Cartland romance, but his writing is better than that despite being too often over the top. From the opening page where Daniel describes his mother's death as "a deafening silence I had not learned to stifle with words," Zafon mixes searing images and thoughtful observations with engagingly quirky characters such as Fermin Romero de Torres who capture the reader's imagination and heart like 20th century Sancho Panzas and Dulcineas to Daniel's idealistically questing Quixote.
Unfortunately, these pluses are offset by unrelenting and heavy-handed atmospherics in which every page is marked by clouds, shadows, mists, flickering candles, twilights, smoke, rubble, ruins, twisted heaps, blood, and "glutinous darkness," and the like. Florid prose abounds: "The white marble was scored with black tears of dampness that looked like blood dripping out of the clefts left by the engraver's chisel. They lay side by side, like chained maledictions." Readers must also contend with two laughably miraculous conceptions, both occurring after first night trysts (a tribute perhaps to the ineffable virility of Spanish males?), and an unfortunately anachronistic request by a Barcelona doctor in 1954 for a "brain scan" of an injured Fermin (page 288).
Net net, SHADOW OF THE WINDS is entertaining escapism with modest literary pretensions. Enjoy it for what it is, but don't expect it to be more than it is.
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